Photoset

I apologize for not being able to post recently! Finals at SCAD are upon us.

This is a new, more minimal rendering style I’ve been experimenting with.

Photo
Heptamat, Graphite on Moleskine, 10” x 8”, 2012.

Heptamat, Graphite on Moleskine, 10” x 8”, 2012.

Photo
Keloid, Graphite on Moleskine, 5” x 8”, 2012.
One of my favorite illustrators, Sam Wolfe Connelly, came to talk at SCAD Illustration Club, and I ended up drawing this and giving it to him. (Hopefully he enjoys creepy, scarred-up girls as much as I do…?)

Keloid, Graphite on Moleskine, 5” x 8”, 2012.


One of my favorite illustrators, Sam Wolfe Connelly, came to talk at SCAD Illustration Club, and I ended up drawing this and giving it to him. (Hopefully he enjoys creepy, scarred-up girls as much as I do…?)

Photo
Baroque Badger, Digital Media, 8 1/2” x 11”, 2012.

Baroque Badger, Digital Media, 8 1/2” x 11”, 2012.

Photo
Cecropia, Graphite on Moleskine, 10” x 8”, 2012.

Cecropia, Graphite on Moleskine, 10” x 8”, 2012.

Photoset

Some people have been asking about my process and the steps I go through when completing a work, so here is some explanation, using my newest work, Decima.

1. First I sketch out a pencil study. I try to get all my mistakes worked out in this phase. (Sometimes I get too excited and render the whole thing.)

2. I lay out a light pencil sketch on the paper.

3. Next come some light acrylic washes. 

4. I usually get really excited about finally using colors, and render the face all in one go.

5. Little details still need rendering. This is the point where I have to step back, consume lots of tea, and tell myself, yes, I can still do this.

6. The work is done! It’s photographed, posted online, and I get to send it off to whatever contest, class, or client it’s for.

Photo
Decima, Acrylic on Rives BFK, 15” x 28”, 2012.

Decima, Acrylic on Rives BFK, 15” x 28”, 2012.